Thursday 19 November 2015

#42 Boggy Creek II: And The Legend Continues (1985) (Colin)


Cast: Charles B. Pierce, Cindy Butler, Chuck Pierce Jr, Jimmy Clem, Serene Hedin
Director: Charles B. Pierce
Genre: Horror
I didn’t know much about the next movie on our list, so I had to do a bit of research.
The first thing I noticed is that this was featured on an episode of MST3K which I have not seen yet.  This is good because no matter how bad the movie is, I now have a new episode of MST3K to watch! 
The next thing I noticed is that the name, Charles B. Pierce, seems to come up a lot.  He is the director, writer and ‘star’ of the next movie on our list, Boggy Creek II: And The Legend Continues, (1985) and he was also the producer on the original movie, The Legend of Boggy Creek, (1972).  However, the odd thing that I discovered is that it’s not actually the 2nd movie in this franchise.  Boggy Creek II is technically Boggy Creek III….
In 1977, the sequel, Return to Boggy Creek, was released, however, Charles B. Pierce was not involved in this movie.  Pierce seems to have decided to completely ignore the original sequel and no reference is made to the 1977 film.  Did Charles B. Pierce have a chip on his shoulder?
On the surface, this to me seems like a vanity project for Pierce and that he wants to prove to the world that it was wrong for him to be excluded from the original sequel.  Was this the case?  And were the makers of the 1977 version right to leave Pierce out in the cold?
When Dr. Brant Lockhart, (Charles B. Pierce), receives a phone call about a mysterious creature who is hairier than Richard Keys, he decides to investigate.  A professor of Cryptozoology at Arkansas University, he enlists the help of his students Tim, (Chuck Pierce Jr), Tanya, (Serene Hedin) and for absolutely no reason at all, Tanya’s friend Leslie, (Cindy Butler).
The group set off in the campest Jeep ever made and set up base near Boggy Creek.  Lockhart tells the group the many tales he has heard about the creature, each one less interesting and strung out than the last.
There was the rancher, who lost his herd and saw the beast running away.  Next was a man who came across the creature whilst changing his tyre.  He was so scared that he went into a coma and never woke up, (can you spot the plot hole here?).  And then there’s the’ hilarious’ story of the man who encountered the creature whilst in the outhouse laying a cable.  He was petrified, but at least he was in the right place to crap himself.
The last story is mildly interesting, (for those who haven’t nodded off by this point), as we discover that a sheriff saw the beast in his back yard, (ooer, sounds a bit rude), and that in actual fact there is a mini-beast as well.  There are 2 Boggy Creek beasts!  Well 1 and 1/3………
Lockhart’s investigations takes him to Hillbilly stereotype, Old Man Crenshaw, (Jimmy Clem), a man who is a cross between the sheriff from Smokey and the Bandit and a beach ball in a beard.  Lockhart learns that Crenshaw has seen the beast on numerous occasions and is keen to learn more.  Crenshaw then asks Lockhart as to whether he is a doctor which can fix people, Lockhart explains he is the type of doctor you can buy online and you can print out a snazzy certificate.  Unperturbed, Crenshaw lets Lockhart into a secret.
Crenshaw takes Lockhart into a room and in a cupboard he reveals that he has kidnapped, (beast-napped?), the youngest beast.  Lockhart synapses fire up like a turtle in treacle: Maybe this is why the beast is angry and maybe this is what he is looking for……..
Can Lockhart rescue the child beast?  Will the daddy beast discover them first?  Will Lockhart ever manage to explain anything in a couple of simple sentences?
The answer to the last question is no!  Or as Lockhart would probably explain: You see there are 2 different answers you can give to that question.  There is the positive answer, the affirmative if you will, which would usually be indicated by a 'yes', 'yeah' or 'yay', (although in some circumstances a 'yay' is more an exclamation of joy, it can be used, in some accounts, to verify the positive answer to a given question).  On the opposite side you would have the negative, (we will assume that an undecided answer would not be given in this case and that a shrug of shoulders, a 'maybe' or a 'not sure' is out of the equation.  Presumably the person asking the question knows the answer as he watched the rest of the movie and so would probably not leave it open ended.  Anyway, this is why we will assume that an either 'yes' or 'no', (which is the negative answer which could be given.  Other examples include 'Nay', 'no way' or 'non', (but probably only if you’re French, which we will assume in this instance that as the person setting the question sets it in English, he is probably speaking to someone who is English, or who at the very least has a good grasp of the English language and who would therefore give an answer in the Anglo negative rather than a more Gallic response)).  Anyway, given all variables to this answer and like I say, as the person setting the question watched the entire movie and that he is now typing this really long explanation as a parody, (mocking if you will) of how Lockhart would respond to such a tea-time teaser, we could naturally assume the answer would be of the negative persuasion and would probably, (in all likelihood), be 'no'.  Or 'yes'; he may be being ironic here……(I think you get the idea).
This rather long paragraph sums up this movie, it is full of scenes and dialogue which go on for too long and don’t really go anywhere.
For example, there is a scene which a young man falls off his jet-ski and plunges into the water.  A Jaws-esque scene is played out in which the creature, from his point of view, is slowly moving towards this guy.  The young guy gets………. back on his jet-ski and moves off safely.  No suspense, no drama, no point!
Then there is Lockhart’s very long winded explanation about how the tracker on his computer works.  He gives, (what seems like), a 10 mins over-elaborate explanation, where ‘the green box is us, if a blip goes near to the green box, then it is getting nearer to us’ would have done!
The fault for this lies with Charles B. Pierce who wrote this script and who seemed to have an OK idea, (the beast is angry as it’s son has been taken by a human), but just didn’t know how to build the suspense or plot around it.  What we end up with is a movie which could have been told in half an hour and did not need 90 mins of my life ruined.
So Pierce isn’t a great writer, is he a good actor?
The answer is no, the script does not help but it feels like he is reading direct from the page with no thought or emotion into what he is saying.  He has the screen presence of a glass of water and is just as exciting.  There is no way he can command a lead role and should really have cast someone else instead of going it alone.
Which leads me onto direction, was he a good director?  The answer again is no, Tim, who is actually Pierce’s real life son, clearly got the role because daddy wrote and directed the movie.  The girls are there for no other reason than to scream and smoulder and the townsfolk are clearly not actors and are just, well, townsfolk.
There are many mistakes in the movie.  For example, Lockhart clearly calls Tim by his real name, (Charlie), in one scene.  Surely a director should spot this?  Also I mentioned earlier the plot hole in which a man who slipped into a coma after he saw the creature, but Lockhart is reciting the story.  Surely director and writer should have spotted that there was no way that Lockhart could know the story if the man had been in the land of nod as soon as he saw the creature and so had not spoken to anyone since?!?!  Every review I have read references this mistake, so why the hell did Pierce not spot this?
So was this an ego project?  Yes, absolutely.  In actual fact it feels like a college media studies student who refuses to work in a team, goes alone and produces an arrogant solo project which interests no-one but himself.  You can’t help but feel that some of the problems with this movie could have been resolved had Pierce allowed others to take up roles and to double check things.
Were the makers of the 1977 version right to leave Pierce out in the cold?  On the evidence of this movie yes they were, although maybe he would have fitted in better as part of a team.  In many ways I wish he had been involved in the ’77 movie, because that would have saved us from Pierce thinking he had to prove himself and producing this lifeless movie.
Obviously Pierce believed in his talents and that he could write, direct AND star in the same movie, however, the evidence is like the costume for the Boggy Creek beast;  it’s not at all convincing…….

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